Chris Baldick (In Frankenstein’s Shadow), A.N. Wilson (God’s Funeral) e Emma Clery (The Rise of Supernatural Fiction) discutem as origens da literatura gótica, analisando a influência de autores como Horace Walpole, Ann Radcliffe e Matthew Gregory Lewis, servindo, portanto, como uma boa introdução ao género. O programa encontra-se disponível na íntegra através do BBC Radio Player.
In 1765 Horace Walpole bewitched an unprepared public with the first ever Gothic novel The Castle of Ottranto. The poet Thomas Gray complained the novel made him “afraid to go to bed o’ nights”, and wind swept battlements, mysterious apparitions and armour that goes clang in the night has haunted the dungeons of popular culture ever since. But Gothic is more that novels, and from under its swirling cassock the Gothic Revival in architecture became the state style for an Empire, and the high camp of The Monk reached the acme of seriousness under the influence of John Ruskin.
So how did the Gothic style manage to both sensationalise the public and form, quite literally the pillars of the establishment? Any why does a style forged in the spectral shadows of the Ages of Enlightenment still hold so such a secure position in popular culture today.